When I first started storytelling back in 1993 I was very attracted to telling Inuit stories and used to ask my self~what right do I have to tell this story? When a story is not from my culture, why do you I want to tell it so much and how can I get under the skin of it.
How? When I have not been to where the story comes from?
This was a difficult question to answer.

Paul Jakson

I did not have the money to go there nor the wit to try and find a way to travel there.
At first I just continued to tell them. Possibly very badly, but there was something in me that was connecting to something in them. I needed to experience these stories by telling them.
There is a point in storytelling when the stories become you and you in turn become them. That a division no longer exists between you & them, that you are not remembering the story, but you are becoming the story, as if you are taken to a place where it is happening. It becomes completely real and you feel it. you start to see and feel it from different views.
The story starts to come alive!
And you realise that the Story is trying to share something amazing with you.
It seems that certain Inuit stories can do this. They can reach right inside you and wake up your heart, your emotions, your compassion, your understanding.
As stories they have been given keys that open us up from this modern detached world, and reawaken in us something far richer and rewarding.

In opening up like this, you start to trust something much deeper in yourself, as certain stories begin to reach your heart and your emotions and your very bones.
So having not gone there I started to research about the human condition; of the great journeys that our ancestors made.
Those journeys across the land bridge into the Americas from Siberia 15,000 and 20,000 years ago. I did a lot of research first on what was known about the first humans’s in the America’s. How they spread across that land bridge and slowly in time reached further and further into south America.
As a storyteller on that journey in visualisations, I saw the Sun and the Moon being there thousands of feet tall, but resting there on the land bridge, with a narrow path between them.
I then spent time developing a performance based on the known folklore. The Siberian stories are very similar to the Far Northern stories of The America’s, including the Inuit’s. So the performance was based on just one small tribe crossing over from one continent to another carrying with them the bones of their ancestors. I used ‘sounding’ instruments and objects that made timeless sounds. Knocking on Pieces of hollowed wood. Tapping on small stones.
As storytellers we reach into the land behind the words and there lie the truths of stories that though created so long ago, have been remembered and recounted so many times that they seem to be in the very memory of everyone.
So, I came to a peace with myself. I no longer needed to ask the question; What right do I have to tell these tribal stories? I knew that my reason was because I feel a deep spiritual, emotional & creative connection with them. That there is a universal connectedness, and it came through the stories, reached into me and said: Walk here, Breath here, This is us.

There are two stories from the Inuits that continue to deepen my understanding of myself and are stories that I love to tell. They are as stories so different yet when I am in their heart~scape’s, they belong to one another.
Skeleton Woman.
This story is often studied in the west; Its metaphor’s of cruelty, companionship, loneliness and uncertainty are common to us all of course;

Skeleton woman starts with an unexplained trouble, such a great trouble that a father throws his daughter off a cliff and she drowns in the sea. He has nothing to do with her once he has ‘let go of her’ Alone, wasted, bereft her flesh is consumed by the fish that live in the bay.
The following day when Inuit fisherman come to do their sea hunting they sense some deep horror has happened but know nothing of the missing girl. She watches them from her death beneath the waves and the fisherman, feeling unnerved, leave the bay and fish elsewhere.
In the story, years pass, many years pass, and no-one dare go into the bay, the haunting troubles them. Then a great storm rises up across the open sea and a fisherman from far away enters the bay to shelter from the storm.
When the weather eventually eases, instead of going back to his fishing, he sees many fish here, where no one fishes. He prepares his rod and bait and begins to fish and sends his line and hook down and down until it snags in the ribcage of the skeleton of the girl. And he catches her. There begins a horror of journeys that no matter what he does, he cannot escape. having caught her, she rises up out of the water, she thinking that it is her father, and she will have her revenge on him. In his terror he flees in the Kayak across the open sea. she chasing him through the waves, sometimes vanishing then rising up, wherever he goes, she follows.
This story ends just as strangely as it began. Having reached his own land she still with him in the water, though she be but a skeleton. When he climbs the cliff, she soon follows. When he reaches his snow house, she follows. she lays silent at his feet in the dark and the voice of sedna calms him. He is still alive, but what is this that he has caught? and the fisherman sees his line wrapped around her bones. He decides to release her then from his strangling line, and covers her up with a sealskin. Then, exhausted, he decides to rest, While he sleeps she wakes and see’s his life force in the form of a tear found from his dreams that is trickling down his cheek. The tear drop is full of his dream of her, his fear of her. She desires it and puts her skull against his face and sucks at the salty tear then hears his drum beating beneath his clothing and remembers what life was like before her father denied her life.
She wants the fisherman’s heart and so slips her hand into his chest, by breaking open his skin & steals his heart. All while he sleep. She creates a second heart then & holds them both in her hands, both beating, & remakes herself from the way she remembered how she used to be, her skin, her breasts, her smile, her voice, her hair, her dark eyes her looks, her smell. Her body is remembered onto her bones, while her empty veins wait for the heart to be replaced and when it is she gives the fisherman his own, then wraps herself tightly around him.
The story soon comes to a deeply abrupt end, when the next morning the children of the fisherman find first their fathers empty Kayak, then his empty Snow house and blood everywhere inside it. But that is all they see while there mother arrives and in seeing what they have found begins her weeping.

The story is brutal and mysterious leaving many many unanswered questions.
This story gives a real feeling of uncertainty. One of the things that makes this story so powerful is the loss of hope both at the beginning and at the end, leaving you inside it, uncertain. Telling its leaves you uncertain as well. But, there is a sense of leaving it as it is. The end is what it is and their are no conclusions, no happy ever afters.
This is a perfect story for teenagers of about 15~18. It is also a very interesting tale to work with the narrative path, and open doors along that path to see what is hiding beneath.
The Old Woman whose son was a Polar Bear.
My second Inuit story could hardly be more different and shows all the qualities that Ancient tribal groups show~An understanding of nature, of sharing and of learning.
In our lives we sometimes feel like we have not become part of our community, that we are outside it. That an element of life has evaded us. In this story The old woman is cared for by the community. The care comes in the form of food. the young men in her icebound village hunter and fish and they always give her some of the catch.
My love of this story is the deep emotional value that the old woman places in her desire to give love, or for her reality at the beginning of the story, of not being able to give love..
She wants above all things in life, to have her own child. I will use this story in workshops because the story is absolutely core to the human condition of caring and giving love and we as storytellers are often drawn to stories that hold our own desires and our own unfulfilled wishes.
In the story, its late winter, and the old woman goes everyday to the snow covered cliffs of ice and snow and talks to the gods and begs them for a son. But years and years go by and her question goes unanswered but she persists until one day as she asks the question again, there before her standing alone on an ice flow is a little Poler bear cub. She asks it:
“where is your mother?” It looks at her
“are you lonely like me?” she asks, it looks at her.
“will you come with me? be my child?” The polar bear cub calls to her.
She then reaches out to this wild animal believing that the Gods have spoken .
She names her child Kunik and holding him up thanks the gods for this greatest of gifts.
she walks back to the village and the people come from the snow house to hear the woman singing, the polar bear cub running before her. The children follow them to her snow house where they ask to play with Kunik. They play together in the snow, the children and the cub. chasing and falling over, chasing and falling over. Everyday the same. And overnight the old woman wraps her arms around her son, the polar bear and sleep warmly in the snow house. Spring has soon arrived and the children ask to take kunik and teach him how to fish. So he goes and when he makes his first catch he brings it home to her. Sitting outside the Snow house she cuts the fish in two and they eat together. Everyday he comes home with his catch, then somedays he comes back twice there times, ever catching more, ever becoming a great fisher, until one afternoon in late summer, he nor greatly grown he comes through the village having caught a seal and the old men see this and feel great shame, for has this Bear not become a great fisherman, better than all their son’s.
They find a reason for their jealousy by letting it be driven by fear.
He is dangerous! look at him! One say’s. How big he is~ He is a wild animal! One of our children will soon die because of him. We should kill him! yes they all agree he must die and then we will use his flesh to feed the village this coming winter.
A child here’s this and run’s up the hill to the old woman’s snow house.
On hearing what is planned for her son, she goes to the houses of these men and begs for the life of Kunik. He is not dangerous, he is my life. What use am I without him What use is my life if I cannot give love?
But they do not listen and tell her she is blinded, that she is a fool, that she does not see that he is a wild animal and their children are at risk. Unable to change their minds she returns home and embraces her son and she tells him that he must leave now. That he will die. Go she says and I will find you.
He flees across the snow and she spends five nights alone, unable to sleep, will not accept food from the village and eventually goes to seek her son.
She walks a whole day till she collapses and then as she lays in the snow dying he appears and sniffs her skin and goes fishing and returns with a great salmon.
“You want me to live?” He looks at her. ”Why?” He looks at her.
“Very well” she cuts the salmon in two, but he does not eat.and when she has eaten he gives her his. “I see” she says...Then we are one and I will come and find you here”
and she gets to her feet and goes home.
Everyday she seeks him, and weeks go by until one day returning the old men see her returning and say this~”
Looks we were wrong” One says “see how she comes back again. She has shown us how strong her love is for her son. and how weak we are. Her love is stronger than our fear”
yes agrees another, let her son return to the village”
So it was that Kunik lived amongst the inuits, until years later, a wind came from the south gathered up the soul of the woman and took it to the north. That day, Kunik came from their snow house, and while the fire consumed her body, Kunik left the village and was never seen again.

Paul Jackson

You can know more about him watching this interview

Este artículo pertenece al BOLETÍN Nº 55 de AEDA - INUIT. Las historias del gran norte.